Orléans monarchy, republicans, socialists and feminists
The cartoon above of Louis-Philippe blowing soap bubbles of the broken promises of the 1830 July Revolution led to its creator’s arrest and trial for ‘insulting the king’ in May 1831
On August 7 1830 Louis-Philippe issued a new Constitutional Charter. This promised freedom of the press and declared that censorship would never be reestablished. Within weeks there was an explosion of papers with political cartoons.
On November 4 1830 Charles Philipon launched a weekly newspaper, La Caricature, whose four pages of text were accompanied by two of lithographs.
Within weeks the government reacted. On December 4 1830 it restored the stamp duty tax on newspapers and re-introduced censorship. Philipon’s response in the Foam of July cartoon above showed Louis-Philippe blowing bubbles of many of the unfulfilled promises in the Charter: popular elections, mayoral elections, an end to ‘jobs for the boys’.
Philipon was acquitted for this cartoon but was arrested again. On November 14 1831 he first drew Louis-Philippe as an image transformed into a pear. He was jailed for a year in January 1832 at Sainte-Pelagie prison, where he was joined by Daumier for his cartoon, Gargantua.
The Orléans monarchy deceived those who had hoped the relatively bloodless July Revolution would lead to a constitutional monarchy and deeply angered the Republicans who had been sceptical from the outset. At the same time, industrialisation was beginning to transform small bits of France, particularly its major towns and Paris. The scene was being set for the re-emergence of French radical republicanism and its more edgy components, socialist and feminist thought and organisation.