1830-1848

The rise of Republicanism, Socialism and Feminism. Key dates

The 1830 July Revolution transformed a generation and the next two hundred years of French history.

Many of the largely young men and women who had risen up against Charles X and absolutism lived the rest of their lives with the certainty that revolutionary change was possible. They knew that direct action by the few and supported by the many could change the course of history.

If the Bourbon family dynasty whose first king had been crowned in 1272 could be overthrown by popular revolt, then why couldn’t women achieve equality with men?

Why couldn’t wealth and privilege be abolished? Why couldn’t both political and economic democracy replace elite rulers everywhere?

The next eighteen years saw Paris become the centre of European left thinking. The great left movements of the later 19th and most of the 20th centuries, women’s liberation, mass unionism, communist utopianism, insurrectionism, internationalism, anarchism and socialism, were all conceived and theorised in Paris during these electrically charged two decades.

Bakunin, Blanc, Blanqui, Buronarroti, Buchez, Cabet, Engels, Leroux, Marx, Proudhon, Roland, Sand, Tristan and Veret-Gay along with thousands of lesser known social optimists from Paris, France and the whole of Europe met and discussed together how the world could be made better now it was clear that the old order could and should be overthrown.

From revolution to repression

On August 7 1830 Louis-Philippe agreed to a new Constitutional Charter. This promised freedom of the press and declared that censorship would never be re-established. Within weeks there was an explosion of papers with political cartoons.

On November 4 1830 Charles Philipon launched a weekly newspaper, La Caricature, whose four pages of text were accompanied by two of lithographs.

A month later the government reacted. On December 4 1830 it restored the stamp duty tax on newspapers and re-introduced censorship. Philipon’s response in the Foam of July cartoon above showed Louis-Philippe blowing bubbles of many of the unfulfilled promises in the Charter: popular elections, mayoral elections, an end to ‘jobs for the boys’.

Philipon was acquitted for this cartoon but was arrested again. On November 14 1831 he first drew Louis-Philippe as an image transformed into a pear. He was jailed for a year in January 1832 at Sainte-Pelagie prison, where he was joined by Daumier for his cartoon, Gargantua.

Daumier’s 1831 cartoon showing Louis-Philippe demanding ever more in taxes while excreting increasingly authoritarian laws earned the artist six months in prison

The Orléans monarchy deceived those who had hoped the relatively bloodless July Revolution would lead to a constitutional monarchy and deeply angered the Republicans who had been sceptical from the outset. At the same time, industrialisation was beginning to transform small bits of France, particularly its major towns and Paris. The scene was being set for the re-emergence of French radical republicanism and its more edgy components, socialist and feminist thought and organisation.

The slow growth of an increasingly impoverished urban working class, the much more rapid growth of a wealthy upper class of merchants, financiers and of the lawyers on whom they depended, coupled with the spread of literacy and connectivity through railway travel all occurred against living memories of revolutionary democracy, secularism and of Napoleonic modernity.

The young who had been the first to support the insurrection and even to die in 1830 were the first to experience disillusion. The change of King had neither removed aristocratic privilege nor did it guarantee a free critical press.

Many workers were resisting the commodification of their lives that followed the development of huge workplaces in which they had no rights to collectively resist or to make collective demands.

Many young middle and working class women not only experienced the same disenfranchisement that their male peers did, but considered that the enlightenment and French Revolutionary calls for full male franchise, freedom and democracy should also apply to their gender.

PLACES

Rue des Mathurins

Arrondissements 8, 9

Number: 10, 26, 38

For centuries before 1881 its name was the New Road of the Mathurins (rue Neuve-des-Mathurins) after a farm that had belonged to Mathurin monks who took the name of the 4th century martyr, Mathurin of Larchant. This Saint was very very popular in the Middle Ages, supposedly because of his prowess in healing madness and anxiety, and was the patron saint of clowns.

Daniel Stern, author of the History of the 1848 Revolution, was Marie d’Agoult. Under the July monarchy (1830-1848) she used to host a salon at No. 10 that was frequented, among many others, by Victor Hugo.

George Sand was living at the Florence private house at No. 26 with Baron Casimir Dudevant when she gave birth to her son, Maurice, on June 30 1823. At the time it was owned by the former head chef of Napoleon. It is now a 3-star hotel called George Sand.

The Michel Theatre founded by Michel Mortier was in the basement of No. 38.

This was frequented by Aragon and Picasso who witnessed a fight there on July 6 1923 when Breton (a future surrealist) broke the arm of Tzara, the leading Dadaist .

Plus d’informations

Parisrevolutionnaire

PLACES

Rue de la Sourdière

Arrondissement 1

Number: 18

The short, narrow road existed already in 1640 when it was named after a Monsieur Sage from La Sourdière, whose house and gardens it ran by.

Daniel Stern (Countess Marie d’Agoult) and Franz Liszt first lived together in this narrow Paris road in 1833.

18 Rue de la Sourdiere

In February 1935 Aragon and ElsaTriolet moved into No. 18. They lived in one of the flats off the still-existing courtyard there until Aragon was called up as a medical reservist in September 1939.

As the political disagreements between Breton and Aragon deepened from 1929 onwards an emergency meeting of the organisers of the International Writers Conference took place there that brought them to a head. Breton had smacked Ilya Ehrenburg across the face for having written that all surrealists were ‘pedarists’, and the Conference committee on June 14 1935 decided to exclude Breton from the official speakers.

PLACES

Quai Voltaire

Arrondissements 7

Number 29, 27, 7

In 1791 the owner of the huge house at No. 27, the Marquis de Villette, a gay friend of the enlightenment philosopher and writer who had died there in 1778 , renamed the street Quai Voltaire. Villette had supported the 1789 Revolution and renounced his nobility. Elected to the Convention in 1792, Charles Villette argued for the banishment of Louis XVI, but died of what was then described as ‘melancholia’ (langeur) aged 57 in July 1793.

Alongside the plaque on No. 27 remembering Voltaire is another recalling the meetings that took place there of the leaders of the national and local police groups of Résistance Libération-Nord. This was initially the name of a clandestine newspaper, established after SFIO and non-Communist CGT trade unionists signed the Declaration of Twelve opposing the Vichy regime and the dissolution of the trade unions on November 15 1940. It became a resistance organisation in November 1941 and in 1943 was one of the eight resistance movements represented on the National Resistance Council.

29, Quai Voltaire is where Daniel Stern (Marie d’Agoult) lived in the Hôtel de Mailly-Nesle after her 1839 breakup with Franz Liszt. She ran a republican literary salon there, and in 1844 Karl Marx used to attend.

No 7 Quai Voltaire is another well-plaqued house (three). It was the home of Hubert de Lagarde, founder and head of the Resistance Eleuthère network of the Forces Françaises Combattantes . A plaque tells how he was arrested by the Gestapo on June 15 1944. This was only a few days after he had protested against the appointment of a Communist to head up the now merged FFI (French Forces of the Interior). He was tortured and then deported to Buchenwald before dying of dysentery on January 25 1945.

PLACES

Literature

Twenty 19th century French writers, including George Sand, Victor Hugo, Arthur Rimbaud, Paul Verlaine and Émile Zola

Those referenced will include 20th century leftist writers (novelists, poets, song-writers, philosophers such as: Aimé Césaire, Jean-Paul Sartre, Victor Serge, Ernest Hemingway, Andre Breton, Louis Aragon, Guillaume Apollinaire, Georges Brassens, Marc Bloch, Pierre Bourdieu, Louis Althusser, Andre Gorz, Daniel Bensaid, Simone de Beauvoir, Frantz Fanon, Benoite Groult, Andre Malraux as well as many 19th century republicans and socialists such as Victor Hugo, Daniel Stern, George Sand, Flora Tristan, Alphonse de Lamartine, Emile Zola, Guillaume Apollinaire, Paul Verlaine, Arthur Rimbaud, Stephane Mallarme

Poems from the left